INTRODUCTIONS
Formalisms Intro (3-6)
Eichenbaum, Formal Method (7-14)
Shklovsky, Art as Technique (15-21)
Brooks, The Formalist Critics (22-27)
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1/10 INTRODUCTIONS |
1/12 Formalisms Intro (3-6) Eichenbaum, Formal Method (7-14) Shklovsky, Art as Technique (15-21) Brooks, The Formalist Critics (22-27) |
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1/17 Wimsatt, Concrete Universal (40-49) Structuralism / Linguistics (53-55) Culler, Linguistic Foundation (56-58) Saussure, General Linguistics (59-71) |
1/19 Propp, Morphology (72-75) Jakobson, Two Aspects (76-80) Barthes, Mythologies (81-89) |
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1/24 Foucault, Archeology (90-96) Rhet / Reader Resp Intro (127-130) Austin, How To Do Things (162-176) |
1/26 Fish, Interp Comm (217-221) Fish, How to Recognize (HO) |
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1/31 Frow, Text and System (222-236) Bourdieu, Distinction (237-253) Bourdieu, Forms of Capital (HO) |
2/2 Post-Structuralism Intro (257-261) Barthes, Death of the Author (HO) |
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2/7 Nietzsche, Truth and Lying (262-265) Derrida, Différance (278-299) Derrida, Of Grammatology (300-331) |
2/9 Lyotard, Pomo Condition (355-364) Baudrillard, Simulacra (365-377) |
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2/14 Psychoanalysis Intro (389-396) Freud, Interp of Dreams (397-414) Freud, The Uncanny (418-430) |
2/16 Lacan, The Mirror Stage (441-446) Lacan, Insist of the Letter (447-461) |
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2/21 Fanon, Negro and Psych (462-469) Historicisms Intro (505-507) Foucault, Disc and Punish (549-566) |
2/23 LIBRARY DAY |
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2/28 NO CLASS MARDI GRAS |
3/2 Pol Crit / Marxism Intro (643-646) Hegel, Dialectics (647-649) Marx, Wage Labor & Cap. (659-664) Marx, Capital (665-672) |
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3/7 Gramsci, Hegemony (673) Althusser, Ideo and ISAs (693-702) Bakhtin, Disc in the Novel (674-685) |
3/9 Bakhtin, Rabelais (686-692) |
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3/14 NO CLASS SPRING BREAK |
3/16 NO CLASS SPRING BREAK |
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3/21 Feminism Intro (765-769) Cixous, Newly Born Woman (348-354) Rubin, Traffic in Women (770-794) Gilbert and Gubar, Attic (812-825) |
3/23 Gender Studies Intro (885-888) Rubin, Sexual Trans (889-891) Foucault, History of Sex (892-899) |
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3/28 Butler, Performative Acts (900-911) |
3/30 Ethnic Studies / CRT Intro (959-963) Haney-López, Social Const (964-974) |
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4/4 Gates, Signifying Monkey (987-1004) Morrison, Playing / Dark (1005-1016) |
4/6 Anzaldua, Borderlands (1017-1030) |
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4/11 Colonial / Po-Co Intro (1071-1074) Loomba, PoCo Studies (1100-1111) Said, Austen and Empire (1112-1125) |
4/13 Ngugi, Decol the Mind (1126-1150) Brathwaite, Caribbean (1151-1166) |
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4/18 McClintock, Progress (1185-1196) Kincaid, A Small Place (1224-1229) |
4/20 Cultural Studies Intro (1233-1234) Benjamin, Mech (1235-1241) Hork + Adorno, Cult Ind (1242-1246) |
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4/25 Fiske, Culture, Ideology (1268-1273) Fiske, Television Culture (1274-1284) Hebdige, Subculture (1258-1267) |
4/27 Clune, You Can't See Me (HO) |
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5/2 FINAL EXAM SLOT 1pm to 3pm |
5/4 |