INTRODUCTIONS
Formalisms Intro (3-6)
Eichenbaum, Formal Method (7-14)
Shklovsky, Art as Technique (15-21)
Brooks, The Formalist Critics (22-27)
Wimsatt, Concrete Universal (40-49)
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1/14 INTRODUCTIONS |
1/16 Formalisms Intro (3-6) Eichenbaum, Formal Method (7-14) Shklovsky, Art as Technique (15-21) |
1/18 Brooks, The Formalist Critics (22-27) Wimsatt, Concrete Universal (40-49) |
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1/21 NO CLASS - MLK DAY |
1/23 Structuralism / Linguistics (53-55) Culler, Linguistic Foundation (56-58) Saussure, General Linguistics (59-71) |
1/25 Propp, Morphology (72-75) Jakobson, Two Aspects (76-80) |
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1/28 Barthes, Mythologies (81-89) Foucault, Archeology (90-96) |
1/30 Rhet / Reader Resp Intro (127-130) Austin, How To Do Things (162-176) |
2/1 Fish, Interp Comm (217-221) Fish, How to Recognize (HO) |
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2/4 Frow, Text and System (222-236) Bourdieu, Distinction (237-253) Bourdieu, Forms of Capital (HO) |
2/6 Post-Structuralism Intro (257-261) Nietzsche, Truth and Lying (262-265) Derrida, Différance (278-299) |
2/8 Derrida, Of Grammatology (300-331) Derrida, Sem and Gramm (332-339) |
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2/11 Cixous, Newly Born Wom (348-354) Barthes, Death of the Author (HO) |
2/13 Lyotard, Pomo Condition (355-364) Baudrillard, Simulacra (365-377) |
2/15 Psychoanalysis Intro (389-396) Freud, Interp of Dreams (397-414) |
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2/18 Freud, The Uncanny (418-430) |
2/20 Freud, Group Psychology (438-440) Lacan, The Mirror Stage (441-446)
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2/22 Lacan, Insist of the Letter (447-461) |
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2/25 Fanon, Negro and Psych (462-469) |
2/27 Historicisms Intro (505-507) Foucault, Disc and Punish (549-566) |
3/1 Montrose, Prof the Ren (584-591) Greenblatt, Exorcists (592-620) |
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3/4 Pol Crit / Marxism Intro (643-646) Hegel, Dialectics (647-649) Marx, Grundrisse (650-652) Ger. Ideology (653-658) Wage Labor & Capital (659-664) Capital (665-672) |
3/6 Beidler on Vietnam - 4pm (Lib. Aud.) |
3/8 Gramsci, Hegemony (673) Althusser, Ideo and ISAs (693-702) |
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3/11 NO CLASS - SPRING BREAK |
3/13 NO CLASS - SPRING BREAK |
3/15 NO CLASS - SPRING BREAK |
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3/18 Bakhtin, Disc in the Novel (674-685) Bakhtin, Rabelais (686-692) |
3/20 Feminism Intro (765-769) Rubin, Traffic in Women (770-794) Irigaray, Subordination (795-798) |
3/22 Irigaray, Women / Market (799-811) Gilbert and Gubar, Attic (812-825) |
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3/25 Gender Studies Intro (885-888) Rubin, Sexual Trans (889-891) Foucault, History of Sex (892-899) |
3/27 Final project assigned / discussion |
3/29 Butler, Performative Acts (900-911) |
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4/1 Ethnic Studies / CRT Intro (959-963) Haney-López, Social Const (964-974) |
4/3 Gates, Signifying Monkey (987-1004) APPROACH DUE |
4/5 Morrison, Playing / Dark (1005-1016) |
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4/8 Anzaldua, Borderlands (1017-1030) |
4/10 Colonial / Po-Co Intro (1071-1074) Loomba, PoCo Studies (1100-1111) BIBLIOGRAPHY DUE |
4/12 Said, Austen and Empire (1112-1125) |
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4/15 Ngugi, Decol the Mind (1126-1150) Brathwaite, Caribbean (1151-1166) |
4/17 McClintock, Progress (1185-1196) |
4/19 Kincaid, A Small Place (1224-1229) |
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4/22 Cultural Studies Intro (1233-1234) Benjamin, Mech (1235-1241) Hork + Adorno, Cult Ind (1242-1246) |
4/24 Fiske, Culture, Ideology (1268-1273) Fiske, Television Culture (1274-1284) |
4/26 Hebdige, Subculture (1258-1267) |
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4/29 Clune, You Can't See Me (HO) |
5/1 FINAL PROJECT DUE |
5/3 WRAP-UP |
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5/6 NO CLASS - FINALS WEEK |
5/8 FINAL - 3.30pm to 5.30pm |